{"version":"1.0","provider_name":"Auditorium Parco della Musica Ennio Morricone","provider_url":"https:\/\/www.auditorium.com\/it\/","author_name":"Calocero","author_url":"https:\/\/www.auditorium.com\/it\/author\/calocero\/","title":"Francesco Bearzatti \"The Peace Concert\" | Auditorium Parco della Musica Ennio Morricone","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"iZk4dtWmuB\"><a href=\"https:\/\/www.auditorium.com\/it\/productions\/francesco-bearzatti-the-peace-concert\/\">Francesco Bearzatti &#8220;The Peace Concert&#8221;<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.auditorium.com\/it\/productions\/francesco-bearzatti-the-peace-concert\/embed\/#?secret=iZk4dtWmuB\" width=\"600\" height=\"338\" title=\"&#8220;Francesco Bearzatti &#8220;The Peace Concert&#8221;&#8221; &#8212; Auditorium Parco della Musica Ennio Morricone\" data-secret=\"iZk4dtWmuB\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.auditorium.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.auditorium.com\/wp-content\/uploads\/2026\/01\/BEARZATTI-OK-300-scaled.jpg","thumbnail_width":2560,"thumbnail_height":2560,"description":"Pi\u00f9 di due anni fa, ho ricevuto da Flavio Massarutto, direttore artistico del festival, la proposta di presentare un nuovo lavoro per l\u2019apertura di San Vito Jazz, in collaborazione con il quartetto Arrigoni. Questa richiesta mi ha portato a interrogarmi a fondo su quale potesse essere la fonte d\u2019ispirazione pi\u00f9 adatta per dar vita a [&hellip;]"}