{"version":"1.0","provider_name":"Auditorium Parco della Musica Ennio Morricone","provider_url":"https:\/\/www.auditorium.com\/it\/","author_name":"Emanuele Camilli","author_url":"https:\/\/www.auditorium.com\/it\/author\/emanuele-camilli\/","title":"PMCE: Luciano Berio | Auditorium Parco della Musica Ennio Morricone","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"VyajCwTDVb\"><a href=\"https:\/\/www.auditorium.com\/it\/event\/pmce-luciano-berio\/\">PMCE: Luciano Berio<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.auditorium.com\/it\/event\/pmce-luciano-berio\/embed\/#?secret=VyajCwTDVb\" width=\"600\" height=\"338\" title=\"&#8220;PMCE: Luciano Berio&#8221; &#8212; Auditorium Parco della Musica Ennio Morricone\" data-secret=\"VyajCwTDVb\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.auditorium.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.auditorium.com\/wp-content\/uploads\/2023\/02\/PMCE-2-scaled.jpg","thumbnail_width":2560,"thumbnail_height":1440,"description":"Ljuba Bergamelli, voce Luca Sanz\u00f2, viola Paolo Ravaglia, clarinetto contrabbasso Chamber Music (1953)7\u2019 Diff\u00e9rences (1959) 17\u2019 Chemins II (1967) 12\u2019 Sequenza III (1965) 7\u2019 Sequenza IX \u00a0 \u00a0\u00a0 versione per Clarinetto contrabbasso di Paolo Ravaglia (esecuzione autorizzata) O King (1967) 5\u2019 Circles (1960) 20\u2019 Il PMCE intende tracciare il profilo di uno dei compositori pi\u00f9 [&hellip;]"}