{"version":"1.0","provider_name":"Auditorium Parco della Musica Ennio Morricone","provider_url":"https:\/\/www.auditorium.com\/it\/","author_name":"Andrea Sargentini","author_url":"https:\/\/www.auditorium.com\/it\/author\/asargentini\/","title":"Haydn, Messa \"In tempore belli\" | Auditorium Parco della Musica Ennio Morricone","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"YeXqM1qNPu\"><a href=\"https:\/\/www.auditorium.com\/it\/event\/haydn-messa-in-tempore-belli\/\">Haydn, Messa &#8220;In tempore belli&#8221;<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.auditorium.com\/it\/event\/haydn-messa-in-tempore-belli\/embed\/#?secret=YeXqM1qNPu\" width=\"600\" height=\"338\" title=\"&#8220;Haydn, Messa &#8220;In tempore belli&#8221;&#8221; &#8212; Auditorium Parco della Musica Ennio Morricone\" data-secret=\"YeXqM1qNPu\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.auditorium.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.auditorium.com\/wp-content\/uploads\/2024\/09\/18861_asc_cre_100_001_1774_0002.jpg","thumbnail_width":1920,"thumbnail_height":850,"description":"Due settimane di concerti con Manfred Honeck, ormai una presenza costante nelle stagioni dell&#8217;Accademia di Santa Cecilia. Il direttore austriaco, gi\u00e0 violista dei Wiener Philharmoniker, ha ovviamente un rapporto privilegiato con il repertorio che si riconduce alla citt\u00e0 della celebre orchestra.Tutta dedicata alla cosiddetta prima Scuola di Vienna \u00e8 la prima serie di concerti nei [&hellip;]"}