{"version":"1.0","provider_name":"Auditorium Parco della Musica Ennio Morricone","provider_url":"https:\/\/www.auditorium.com\/it\/","author_name":"Andrea Sargentini","author_url":"https:\/\/www.auditorium.com\/it\/author\/asargentini\/","title":"G\u00f6del e Heisenberg, i principi del dubbio | Auditorium Parco della Musica Ennio Morricone","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"5QGqgA5iQo\"><a href=\"https:\/\/www.auditorium.com\/it\/event\/godel-e-heisenberg-i-principi-del-dubbio-2\/\">G\u00f6del e Heisenberg, i principi del dubbio<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.auditorium.com\/it\/event\/godel-e-heisenberg-i-principi-del-dubbio-2\/embed\/#?secret=5QGqgA5iQo\" width=\"600\" height=\"338\" title=\"&#8220;G\u00f6del e Heisenberg, i principi del dubbio&#8221; &#8212; Auditorium Parco della Musica Ennio Morricone\" data-secret=\"5QGqgA5iQo\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.auditorium.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/www.auditorium.com\/wp-content\/uploads\/2024\/09\/17909_maxresdefault.jpg","thumbnail_width":1920,"thumbnail_height":1080,"description":"il Mulino e Fondazione Musica per Roma presentano La dimostrazione di Kurt G\u00f6del del 1930 per cui, in una teoria matematica soddisfacente certe condizioni minime \u00e8 possibile costruire una proposizione sintatticamente corretta che non pu\u00f2 essere n\u00e9 dimostrata n\u00e9 confutata all&#8217;interno della teoria, con la conseguenza che la coerenza della teoria non \u00e8 dimostrabile nella [&hellip;]"}