{"version":"1.0","provider_name":"Auditorium Parco della Musica Ennio Morricone","provider_url":"https:\/\/www.auditorium.com\/it\/","author_name":"Noemi Quarantelli","author_url":"https:\/\/www.auditorium.com\/it\/author\/n-quarantelli\/","title":"Erik Truffaz & Antonio Lizana - \"New Sketches of Spain\" | Auditorium Parco della Musica Ennio Morricone","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"VMeLoEPoX1\"><a href=\"https:\/\/www.auditorium.com\/it\/event\/erik-truffaz-antonio-lizana-new-sketches-of-spain\/\">Erik Truffaz &#038; Antonio Lizana &#8211; &#8220;New Sketches of Spain&#8221;<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.auditorium.com\/it\/event\/erik-truffaz-antonio-lizana-new-sketches-of-spain\/embed\/#?secret=VMeLoEPoX1\" width=\"600\" height=\"338\" title=\"&#8220;Erik Truffaz &#038; Antonio Lizana &#8211; &#8220;New Sketches of Spain&#8221;&#8221; &#8212; Auditorium Parco della Musica Ennio Morricone\" data-secret=\"VMeLoEPoX1\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.auditorium.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/www.auditorium.com\/wp-content\/uploads\/2026\/06\/Truffaz-Lizana.jpg","thumbnail_width":1415,"thumbnail_height":1062,"description":"Leggenda narra che l\u2019ispirazione per \u201cSketches of Spain\u201d venne a Davis dopo aver accompagnato sua moglie Frances Taylor Davis ad assistere a un\u2019esibizione del ballerino di flamenco Roberto Iglesias. Affascinato dalla scoperta della musica tradizionale spagnola, registr\u00f2 uno dei suoi dischi fondamentali segnando l\u2019apertura del jazz alla world music. Discepolo devoto di Davis, il trombettista [&hellip;]"}