{"version":"1.0","provider_name":"Auditorium Parco della Musica Ennio Morricone","provider_url":"https:\/\/www.auditorium.com\/it\/","author_name":"Emanuele Camilli","author_url":"https:\/\/www.auditorium.com\/it\/author\/emanuele-camilli\/","title":"Angelin Preljocaj \"Hendrix \/ Deleuze\" | Auditorium Parco della Musica Ennio Morricone","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"pJ3ubypmT2\"><a href=\"https:\/\/www.auditorium.com\/it\/event\/angelin-preljocaj-hendrix-deleuze\/\">Angelin Preljocaj &#8220;Hendrix \/ Deleuze&#8221;<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.auditorium.com\/it\/event\/angelin-preljocaj-hendrix-deleuze\/embed\/#?secret=pJ3ubypmT2\" width=\"600\" height=\"338\" title=\"&#8220;Angelin Preljocaj &#8220;Hendrix \/ Deleuze&#8221;&#8221; &#8212; Auditorium Parco della Musica Ennio Morricone\" data-secret=\"pJ3ubypmT2\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.auditorium.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.auditorium.com\/wp-content\/uploads\/2023\/01\/20-febbraio_angelin-preljocaj-700x394.png","thumbnail_width":700,"thumbnail_height":394,"description":"Angelin Preljocaj testimonia ancora una volta la sua attrazione per la filosofia. Ossessionato da temi legati alla trascendenza dei corpi, prende come pretesto questa volta le registrazioni audio dei corsi tenuti da Gilles Deleuze all&#8217;Universit\u00e0 di Parigi VIII a Vincennes negli anni &#8217;80. In questi archivi sonori, Deleuze affronta con umorismo e attualit\u00e0 le riflessioni [&hellip;]"}