{"version":"1.0","provider_name":"Auditorium Parco della Musica Ennio Morricone","provider_url":"https:\/\/www.auditorium.com\/it\/","author_name":"Noemi Quarantelli","author_url":"https:\/\/www.auditorium.com\/it\/author\/n-quarantelli\/","title":"2016, l\u2019anno che ha cambiato la musica italiana | Auditorium Parco della Musica Ennio Morricone","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"sCJJntlWem\"><a href=\"https:\/\/www.auditorium.com\/it\/event\/2016-lanno-che-ha-cambiato-la-musica-italiana\/\">2016, l\u2019anno che ha cambiato la musica italiana<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.auditorium.com\/it\/event\/2016-lanno-che-ha-cambiato-la-musica-italiana\/embed\/#?secret=sCJJntlWem\" width=\"600\" height=\"338\" title=\"&#8220;2016, l\u2019anno che ha cambiato la musica italiana&#8221; &#8212; Auditorium Parco della Musica Ennio Morricone\" data-secret=\"sCJJntlWem\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.auditorium.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/www.auditorium.com\/wp-content\/uploads\/2026\/09\/Completamente-Sold-Out-banner-800x800-1-e1789633906464.jpg","thumbnail_width":1648,"thumbnail_height":1103,"description":"Trap (Dark Polo Gang, Sfera Ebbasta, Ghali), Rap (Santeria), Indie (Calcutta, TheGiornalisti, I Cani, Coez). Perch\u00e9 il 2016 \u00e8 considerato l\u2019anno zero della musica italiana che ascoltiamo oggi? La crisi del pop \u201cclassico\u201d, l\u2019esplosione della trap con Sfera Ebbasta, Dark Polo Gang, Ghali, il manifesto di Gu\u00e8 e Marra \u201cSanteria\u201d, l\u2019avvento degli (anti)eroi dell\u2019indie Calcutta, [&hellip;]"}