{"id":4721,"date":"2023-01-17T08:37:10","date_gmt":"2023-01-17T07:37:10","guid":{"rendered":"https:\/\/www.auditorium.com\/event\/angelin-preljocaj-hendrix-deleuze\/"},"modified":"2023-03-28T13:40:03","modified_gmt":"2023-03-28T12:40:03","slug":"angelin-preljocaj-hendrix-deleuze","status":"publish","type":"event","link":"https:\/\/www.auditorium.com\/en\/event\/angelin-preljocaj-hendrix-deleuze\/","title":{"rendered":"Angelin Preljocaj &#8220;Hendrix \/ Deleuze&#8221;"},"content":{"rendered":"<p>Angelin Preljocaj once again testifies to his attraction to philosophy. Obsessed with themes related to the transcendence of bodies, he takes as his pretext this time audio recordings of courses taught by Gilles Deleuze at the University of Paris VIII in Vincennes in the 1980s. In these sound archives, Deleuze humorously and topically addresses Spinoza&#8217;s reflections on the question of the body and movement in his emblematic book, L&#8217;\u00c9thique.  <br \/>\nIn this project, Gilles Deleuze&#8217;s recorded voice and its substantive purpose intertwine with the powerful, sensual, and revolutionary music of Jimi Hendrix to resonate with Spinoza&#8217;s scolias. Angelin Preljocaj explores a new territory of choreographic research in which the body, as the universal object we all know, becomes a medium that raises questions about our world.  <br \/>\nVoices are a frequent part of the choreographer&#8217;s creations, albeit in very different registers: in 1995, L&#8217;Anoure presented a live reading of Pascal Quignard&#8217;s libretto. In 2009, Angelin Preljocaj gave a solo performance of Jean Genet&#8217;s essay Le Funambule (The Tightrope Walker). In 2012, French actor Laurent Cazanave dubbed the words of Laurent Mauvignier in Ce que j&#8217;appelle oubli. And in 2019, Preljocaj recreated Franz Schubert&#8217;s Winterreise, a piece for piano and voice, with dancers sharing the stage with baritone singer Thomas Tatzl. Voice and philosophy are also essential in Empty moves, a three-part creation that Preljocaj began in 2004, in which he uses an incredible soundtrack: a puzzling performance by John Cage in Milan, inspired by philosopher Henry David Thoreau&#8217;s essay Civil Disobedience, in which Cage simply pronounces unintelligible phonemes  <\/p>\n<p>CREATION 2021  <br \/>\nChoreography Angelin Preljocaj  <br \/>\nRecorded Voice Gilles Deleuze  <br \/>\nJimi Hendrix Music  <br \/>\nLights \u00c9ric Soyer  <br \/>\nAssistant art director Youri Aharon Van den Bosch  <br \/>\nChoreologist Dany L\u00e9v\u00eaque  <br \/>\nDancers Baptiste Coissieu, Matt Emig, Clara Freschel, Isabel Garc\u00eda L\u00f3pez, Florette Jager, Tommaso Marchignoli, Zo\u00eb McNeil, Redi Shtylla  <br \/>\nProduction Ballet Preljocaj  <br \/>\nCoproduction Festival Montpellier Danse 2021, Le Centquatre-Paris, Le Rive Gauche &#8211; Sc\u00e8ne conventionn\u00e9e Danse de Saint-Etienne-du- Rouvray  <br \/>\nSpecial thanks to Olivier Raillard  <br \/>\nPremiere at the Festival Montpellier Danse 2021  <\/p>\n","protected":false},"excerpt":{"rendered":"Angelin Preljocaj once again testifies to his attraction to philosophy. Obsessed with themes related to the transcendence of bodies, he takes as his pretext this time audio recordings of courses taught by Gilles Deleuze at the University of Paris VIII in Vincennes in the 1980s. In these sound archives, Deleuze humorously and topically addresses Spinoza&#8217;s [&hellip;]","protected":false},"featured_media":1930,"template":"","meta":{"_acf_changed":false,"inline_featured_image":false},"event_categories":[123],"event_genre":[124],"event_themes":[],"event_format":[135],"event_consigliati":[],"class_list":["post-4721","event","type-event","status-publish","has-post-thumbnail","hentry","event_categories-dance","event_genre-dance","event_format-festival-en-2"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Angelin Preljocaj &quot;Hendrix \/ Deleuze&quot; | Auditorium Parco della Musica Ennio Morricone<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.auditorium.com\/en\/event\/angelin-preljocaj-hendrix-deleuze\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Angelin Preljocaj &quot;Hendrix \/ Deleuze&quot; | Auditorium Parco della Musica Ennio Morricone\" \/>\n<meta property=\"og:description\" content=\"Angelin Preljocaj once again testifies to his attraction to philosophy. Obsessed with themes related to the transcendence of bodies, he takes as his pretext this time audio recordings of courses taught by Gilles Deleuze at the University of Paris VIII in Vincennes in the 1980s. In these sound archives, Deleuze humorously and topically addresses Spinoza&#8217;s [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.auditorium.com\/en\/event\/angelin-preljocaj-hendrix-deleuze\/\" \/>\n<meta property=\"og:site_name\" content=\"Auditorium Parco della Musica Ennio Morricone\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/AuditoriumParcodellaMusica\" \/>\n<meta property=\"article:modified_time\" content=\"2023-03-28T12:40:03+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.auditorium.com\/wp-content\/uploads\/2023\/01\/20-febbraio_angelin-preljocaj-700x394.png\" \/>\n\t<meta property=\"og:image:width\" content=\"700\" \/>\n\t<meta property=\"og:image:height\" content=\"394\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@auditoriumpdm\" \/>\n<meta name=\"twitter:label1\" 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