{"version":"1.0","provider_name":"Auditorium Parco della Musica Ennio Morricone","provider_url":"https:\/\/www.auditorium.com\/en\/","author_name":"Emanuele Camilli","author_url":"https:\/\/www.auditorium.com\/en\/author\/emanuele-camilli\/","title":"Michele Di Stefano \"Bayad\u00e9re - The Kingdom of Shadows.\" | Auditorium Parco della Musica Ennio Morricone","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"RhkIK2FTHa\"><a href=\"https:\/\/www.auditorium.com\/en\/event\/michele-di-stefano-bayadere-the-kingdom-of-shadows\/\">Michele Di Stefano &#8220;Bayad\u00e9re &#8211; The Kingdom of Shadows.&#8221;<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.auditorium.com\/en\/event\/michele-di-stefano-bayadere-the-kingdom-of-shadows\/embed\/#?secret=RhkIK2FTHa\" width=\"600\" height=\"338\" title=\"&#8220;Michele Di Stefano &#8220;Bayad\u00e9re &#8211; The Kingdom of Shadows.&#8221;&#8221; &#8212; Auditorium Parco della Musica Ennio Morricone\" data-secret=\"RhkIK2FTHa\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.auditorium.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.auditorium.com\/wp-content\/uploads\/2023\/01\/11-febbraio_Di-stefano.png","thumbnail_width":1920,"thumbnail_height":1080,"description":"Bayad\u00e9re is a ballet steeped in idealized exoticism, both in its melodramatic plot and overall aesthetics. Designed for an ensemble of very young talents, this new Kingdom of Shadows so mysteriously charged with suggestions, belongs to the exceptional times we are living in, because\u0301 it refers to something lost and something possible at the same [&hellip;]"}