{"version":"1.0","provider_name":"Auditorium Parco della Musica Ennio Morricone","provider_url":"https:\/\/www.auditorium.com\/en\/","author_name":"Emanuele Camilli","author_url":"https:\/\/www.auditorium.com\/en\/author\/emanuele-camilli\/","title":"Corrado Augias - The music, the story | Auditorium Parco della Musica Ennio Morricone","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"gcCXomv9Ol\"><a href=\"https:\/\/www.auditorium.com\/en\/event\/corrado-augias-the-music-the-story\/\">Corrado Augias &#8211; The music, the story<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.auditorium.com\/en\/event\/corrado-augias-the-music-the-story\/embed\/#?secret=gcCXomv9Ol\" width=\"600\" height=\"338\" title=\"&#8220;Corrado Augias &#8211; The music, the story&#8221; &#8212; Auditorium Parco della Musica Ennio Morricone\" data-secret=\"gcCXomv9Ol\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.auditorium.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.auditorium.com\/wp-content\/uploads\/2023\/01\/augiag-1920.jpg","thumbnail_width":1580,"thumbnail_height":786,"description":"Beethoven and Napoleon Not even music, the most intangible of the arts, can disregard the personality of the composer and the years in which the composer lived. The conversations between Corrado Augias and Aurelio Canonici, seated at the piano-interspersed with short clips-are intended to do just that: to highlight, to draw out, the deep connections [&hellip;]"}